Matches in DBpedia 2015-10 for { ?s ?p "Beautiful Midnight is the third album released by the Matthew Good Band and the follow-up to the band's 1997 album, Underdogs. The album produced four successful singles and music videos, "Hello Time Bomb", "Load Me Up", "Strange Days", and "The Future is X-Rated". The success of Beautiful Midnight propelled Good to a celebrity status in Canada he eventually grew to loathe, and his interactions with the media throughout the promotional cycle for the record were often strained and unpleasant. The album was re-released in 2001 in the United States on Atlantic Records with an altered tracklisting with remixed songs from Underdogs. Good has referred to it as something of a greatest hits. The album did not achieve the kind of success in America as it did in Canada due to Good intentionally sabotaging the band's career stateside by refusing to play along with the media and music industry in the country and the band's reluctance to commit extensively touring the country.A number of songs considered for inclusion on Beautiful Midnight were relegated to b-side or unreleased status. "Flashdance II" was eventually released on Loser Anthems, while "Pony Boy", which was recorded for the subsequent album The Audio of Being, remained unreleased until In a Coma in 2005."@en }
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- Beautiful_Midnight abstract "Beautiful Midnight is the third album released by the Matthew Good Band and the follow-up to the band's 1997 album, Underdogs. The album produced four successful singles and music videos, "Hello Time Bomb", "Load Me Up", "Strange Days", and "The Future is X-Rated". The success of Beautiful Midnight propelled Good to a celebrity status in Canada he eventually grew to loathe, and his interactions with the media throughout the promotional cycle for the record were often strained and unpleasant. The album was re-released in 2001 in the United States on Atlantic Records with an altered tracklisting with remixed songs from Underdogs. Good has referred to it as something of a greatest hits. The album did not achieve the kind of success in America as it did in Canada due to Good intentionally sabotaging the band's career stateside by refusing to play along with the media and music industry in the country and the band's reluctance to commit extensively touring the country.A number of songs considered for inclusion on Beautiful Midnight were relegated to b-side or unreleased status. "Flashdance II" was eventually released on Loser Anthems, while "Pony Boy", which was recorded for the subsequent album The Audio of Being, remained unreleased until In a Coma in 2005.".