Matches in DBpedia 2015-10 for { ?s ?p ""American Patrol" is a popular march written by Frank White (F.W.) Meacham in 1885. It incorporates both original musical themes by Meacham and melodies from American patriotic songs of the era such as "Columbia, the Gem of the Ocean" and "Dixie." Composed for piano, it was then arranged for wind band and published by Carl Fischer in 1891. Copyright was assigned to Meacham's widow, Cora, in 1912 and renewed in 1919. Jerry Gray arranged a swing version of the march for Glenn Miller's orchestra in 1941, and Morton Gould later composed his own unusual and often dissonant "American Patrol for 3 Bands." The "patrol" format was popular in the second half of the 19th century, and other compositions bear titles such as "Turkish Patrol," "Ethiopian Patrol," "Owl's Patrol," "Welsh Patrol" and "Arab Patrol." The format was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played p or pp, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually dying away and finishing pp, ppp, or even pppp. The original piano version of "American Patrol" follows this scheme."@en }
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- American_Patrol abstract ""American Patrol" is a popular march written by Frank White (F.W.) Meacham in 1885. It incorporates both original musical themes by Meacham and melodies from American patriotic songs of the era such as "Columbia, the Gem of the Ocean" and "Dixie." Composed for piano, it was then arranged for wind band and published by Carl Fischer in 1891. Copyright was assigned to Meacham's widow, Cora, in 1912 and renewed in 1919. Jerry Gray arranged a swing version of the march for Glenn Miller's orchestra in 1941, and Morton Gould later composed his own unusual and often dissonant "American Patrol for 3 Bands." The "patrol" format was popular in the second half of the 19th century, and other compositions bear titles such as "Turkish Patrol," "Ethiopian Patrol," "Owl's Patrol," "Welsh Patrol" and "Arab Patrol." The format was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played p or pp, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually dying away and finishing pp, ppp, or even pppp. The original piano version of "American Patrol" follows this scheme.".